King of the Golden Mountain

In progress

This guy is ‘King’. This is a painting I have been working on for a couple of months (on and off). Now it is in the final stages where I am fixing details, adjusting contrast, and basically making it look believable.

Because they can

Reality

Photograph of the view from my window here in Abu Dhabi.

 

Oil on canvas

‘Because they can’, oil on canvas, 76cm x 51cm, 2013.

 

 

 

Because they can

In progress

This work in progress is a comment on humanity’s need to build, construct and demolish, as seen through the eyes of 3 toys looking through a window. Lamb asks Ulysses the bear “Why are they always building? Where have all the trees gone?” to which Uly replies “They build because they can”. Titled ’Because they can’, oil on canvas, 76cm x 51cm (in progress).

Untitled

Portrait

‘Untitled’, oil on canvas, 51cm x 41cm, 2013. This represents my foray into ‘a more painterly style’.

Because they can

In progress

This is a comment on humanity’s need to build, construct and demolish, as seen through the eyes of 3 toys looking through a window. When looking down at the endless cranes and concrete pylons, lamb asks Ulysses (the bear on the left) “Why are they always building? Where have all the trees gone?” to which Uly replies “They build because they can”.
Titled ‘Because they can’, oil on canvas, 76cm x 51cm (in progress).

Inspiration #3

by Stephen Bush

by Stephen Bush

This is one of my all time favourite paintings. More information about the concept of it can be read here.

The Juniper Tree

oil on canvas

Inspired by the Brothers Grimm story of the same name, ‘The Juniper Tree’ 122cm x 77cm, oil on canvas, 2013.

Why Didn’t You Do Something?

Oil pastels

Needing a break from oil paints and wanting to work on something really gestural and fast, I bought myself some oil pastels.  This piece depicts a scenario which I feel is inevitable given our current unwillingness to address climate change in any meaningful way. ‘Why Didn’t You Do Anything?’, oil pastels on paper, 20″ x 16″, 2013.

King of the Golden Mountain

In progress
The King from ‘King of the Golden Mountain’, oil on canvas, 77cm x 102cm (in progress). I am trying to capture a look of regret and self-righteousness at the same time…  Click here to view my initial digital mockup of the composition.

King of the Golden Mountain

In progress
Today I thought it might be a bit exciting to only paint half of his face in the over painting. (Living on the edge).
Click here to view my initial digital mockup of the composition.

Inspiration #2

I came upon this gorgeous animated short by Cat Bruce today, while I was researching work inspired by The Brothers Grimm.

King of the Golden Mountain

In Progress
This is ‘King of the Golden Mountain’, oil on canvas, 77cm x 102cm (in progress). Click here to view my initial digital mockup of the composition.

Seven Ravens

Digital illustration
My question to myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece? Having finished this piece, I still don’t know the answer, however I do think it is a lot more difficult to generate that organic ‘arty’ feeling through the digital medium. On the other hand, other things are easier, such as changing and moving elements, adjusting colours etc.

I am really liking using photographs of fabric in the clothes at the same time as detailed vector elements and art textures. I think this combination is something I will be using more in the future.

Inspired by ‘The Seven Ravens’ by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

I Told You This Day Would Come (revisited)

I Told You...
This is a digital update of my oil painting titled ‘I Told You This Day Would Come’, on a wooden window shutter, shown in this previous post.  I am slowly opening my mind up to the concept that artwork doesn’t have to be purist in order to have integrity: it isn’t ‘selling out’ to let a piece live a new life using Photoshop. For me it is enough that a work is created using traditional techniques, and if the digital medium can add depth or atmosphere when  traditional skills couldn’t (for what ever reason), then why not utilize it?

Inspiration: #1

Vector illustration

Stake My Rep
I created this using Adobe Illustrator for the face and hands, and Photoshop for the rest. I think it is important to retain a sense of authenticity / organic-ness in digital illustration in order to encourage some sort of emotional connection. Sometimes digital stuff can look cold. This is why I use a lot fabric photography (the shirt and hat) and traditional textures (ink splatters in the background).

Vector illustration

In progressGetting there….

Vector illustration

In ProgressThis is a vector illustration I am part way through, for an online challenge game about to launch. Though it is done digitally, it should be known, this is no quick trick!

King of the Golden Mountain

In Progress
This is detail from the bottom righthand side corner of the work titled ‘King of the Golden Mountain’, oil on canvas (in progress). Click here to view my initial digital mockup of the composition.

King of the Golden Mountain

In ProgressThis is a detail from ‘King of the Golden Mountain’, oil on canvas (in progress). I am quite enjoying being more gestural in my paint handling technique so far. Click here to view my initial digital mockup of the composition.

The process of creation

A friend suggested I might like to share the process of creating a piece of art in gallery format, so everyone can appreciate all the work that goes into the research and composition stages, as well as the final stage of painting. This gallery shows the work-in-progress shots of ‘I Told You This Day Would Come’, oil on wood panel, 2012.

King of the Golden Mountain

Detail
This is a detail from ‘King of the Golden Mountain’, oil on canvas (in progress). I am quite enjoying being more gestural in my paint handling technique so far. Click here to view my initial digital mockup of the composition.

Seven Ravens

uncropped
This is a little challenge I set myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece?

Inspired by The Seven Ravens by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

The Juniper Tree

In ProgressThis painting demonstrates my attempts to develop a looser, more gestural style and is a part of my ‘Brothers Grimm’ series.

Still in progress (though thousands of dots later), it has been quite relaxing and fun to work on.

Oil on canvas, 123 cm x 72 cm

King of the Golden Mountain

Pencil StudyThis is my King-to-be. A pencil drawing in progress for my next painting inspired by the Brothers Grimm’s The King of the Golden Mountain.

Click here to view my initial digital mockup of the composition.

Digital mockup for ‘King of the Golden Mountain’

King of the Golden Mountain
I have just commenced studying a Masters course of Visual Art (scary!). My area of interest will be a modern visual interpretation of fairytales by the Brothers Grimm. I am also interested in incorporating typography within the painting as I want to explore  the boundaries of art/illustration/graphic design.

This is a mockup created in Photoshop using my own photos, a photo from the net of a snake and net sourced images of paintings by Rembrandt and Caravaggio. It represents the story ‘The King of the Golden Mountain’ as told by the Brothers Grimm.

The final painting will be oil on canvas, and will be quite ambitious. Naturally I will completely change the faces – this is a starting point in terms of the colours and composition. Fingers crossed it works out.

Her Metamorphosis (Retrograde)

So, she is finally finished. ‘Her Metamorphosis (retrograde)’. Oil and silk fabric on canvas, 80cm x 80cm.

She will be on show at the exhibition ‘Metamorphosis’, Tashkeel Gallery, Dubai from March 11th.

Click here to view the time lapse animation of her creation.

Her Metamorphosis (retrograde) time lapse

This is a time lapse animation of the process of creating the painting ‘Her Metamorphosis (retrograde)’.Oil and silk on canvas, 80cm x 80cm.

 

If Only for a Moment

Uncropped‘If Only for a Moment’, 46cm x 32cm, acrylic on camphor, 2012.

Her Metamorphosis (Retrograde)

In ProgressSo far so good…
Work in progress, oil on canvas, 80 cm x 80cm

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