King of the Golden Mountain

In progress

This guy is ‘King’. This is a painting I have been working on for a couple of months (on and off). Now it is in the final stages where I am fixing details, adjusting contrast, and basically making it look believable.

Because they can

Reality

Photograph of the view from my window here in Abu Dhabi.

 

Oil on canvas

‘Because they can’, oil on canvas, 76cm x 51cm, 2013.

 

 

 

Because they can

In progress

This work in progress is a comment on humanity’s need to build, construct and demolish, as seen through the eyes of 3 toys looking through a window. Lamb asks Ulysses the bear “Why are they always building? Where have all the trees gone?” to which Uly replies “They build because they can”. Titled ’Because they can’, oil on canvas, 76cm x 51cm (in progress).

Untitled

Portrait

‘Untitled’, oil on canvas, 51cm x 41cm, 2013. This represents my foray into ‘a more painterly style’.

Because they can

In progress

This is a comment on humanity’s need to build, construct and demolish, as seen through the eyes of 3 toys looking through a window. When looking down at the endless cranes and concrete pylons, lamb asks Ulysses (the bear on the left) “Why are they always building? Where have all the trees gone?” to which Uly replies “They build because they can”.
Titled ‘Because they can’, oil on canvas, 76cm x 51cm (in progress).

The Juniper Tree

oil on canvas

Inspired by the Brothers Grimm story of the same name, ‘The Juniper Tree’ 122cm x 77cm, oil on canvas, 2013.

King of the Golden Mountain

In progress
The King from ‘King of the Golden Mountain’, oil on canvas, 77cm x 102cm (in progress). I am trying to capture a look of regret and self-righteousness at the same time…  Click here to view my initial digital mockup of the composition.

King of the Golden Mountain

In Progress
This is ‘King of the Golden Mountain’, oil on canvas, 77cm x 102cm (in progress). Click here to view my initial digital mockup of the composition.

Seven Ravens

Digital illustration
My question to myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece? Having finished this piece, I still don’t know the answer, however I do think it is a lot more difficult to generate that organic ‘arty’ feeling through the digital medium. On the other hand, other things are easier, such as changing and moving elements, adjusting colours etc.

I am really liking using photographs of fabric in the clothes at the same time as detailed vector elements and art textures. I think this combination is something I will be using more in the future.

Inspired by ‘The Seven Ravens’ by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

Vector illustration

Stake My Rep
I created this using Adobe Illustrator for the face and hands, and Photoshop for the rest. I think it is important to retain a sense of authenticity / organic-ness in digital illustration in order to encourage some sort of emotional connection. Sometimes digital stuff can look cold. This is why I use a lot fabric photography (the shirt and hat) and traditional textures (ink splatters in the background).

Vector illustration

In progressGetting there….

Vector illustration

In ProgressThis is a vector illustration I am part way through, for an online challenge game about to launch. Though it is done digitally, it should be known, this is no quick trick!

The process of creation

A friend suggested I might like to share the process of creating a piece of art in gallery format, so everyone can appreciate all the work that goes into the research and composition stages, as well as the final stage of painting. This gallery shows the work-in-progress shots of ‘I Told You This Day Would Come’, oil on wood panel, 2012.

Seven Ravens

uncropped
This is a little challenge I set myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece?

Inspired by The Seven Ravens by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

The Juniper Tree

In ProgressThis painting demonstrates my attempts to develop a looser, more gestural style and is a part of my ‘Brothers Grimm’ series.

Still in progress (though thousands of dots later), it has been quite relaxing and fun to work on.

Oil on canvas, 123 cm x 72 cm

Her Metamorphosis (Retrograde)

So, she is finally finished. ‘Her Metamorphosis (retrograde)’. Oil and silk fabric on canvas, 80cm x 80cm.

She will be on show at the exhibition ‘Metamorphosis’, Tashkeel Gallery, Dubai from March 11th.

Click here to view the time lapse animation of her creation.

If Only for a Moment

Uncropped‘If Only for a Moment’, 46cm x 32cm, acrylic on camphor, 2012.

In progress (detail)

Metamorphosis
I sat down to paint and some photo-realism-rurrealism came out. This is detail from the oil painting I am working on at the moment which is 80cm x 80cm with the theme of Metamorphosis. I have never done a ‘proper’ oil painting before, so I googled blending techniques and colour mixing, and so far it feels 1000 times easier than working with acrylics. Why didn’t I realise this years ago?

In progress

Looking into the light
Another drawing for the new painting…

In progress

girl at pond
This little lass will be in a painting I will start work on in the next few days.

In progress


This guy is the main character in a painting I am about to start work on.

Wood carving

BirdThis is my first attempt at wood carving, something I have wanted to do since I watched Heidi’s grandfather carving in the Swiss Alps. It is about 15cm tall and is carved from hewn pine, a Tasmanian wood which has a really fine grain and is super soft. Many cuts to my poor hands later, the result is near finished.

Woman in Black

Oil PaintingRecently, a publisher said he thought my work was ‘obviously geared towards the children’s book market’ which I thought was interesting as I don’t see it like that at all. So, partially as a reaction to that comment and partially to challenge myself to complete something within a few hours (instead of weeks) and in oil (instead of acrylic), I painted this today. My inspiration is the book and movie ‘Woman in Black’ by Susan Hill.

In Progress

If Only for a MomentA little bit of additional colour, worked in from the top down, seems to have brought it to life and heightened the sense of depth. 

In Progress

Isn’t she sweet?

In Progress

Work on the background has started. It is tricky to find the balance between incorporating the wood-grain, painting an interesting scene which sets the context of the story and over-powering the foreground.

In Progress

I think the figures are finished, now what to do with the background?

 

In Progress

So far so good. I am hoping the sketchy figure on the right is obvious enough as he is without me doing more than just emphasising the wood..?

Exhibition Nov 4 – 29th, Abu Dhabi, U.A.E

My solo exhibition titled ‘Eyes Wide Open’ is currently running at The Social Hub in the green building, TwoFour54, Abu Dhabi. Open 8:00am – 7:30pm everyday except Friday. November 4th to November 29th. This is a very rare opportunity to see my paintings in the real world, so don’t miss out!

Cold in the Shadows

Cold in the Shadows, 31cm x 22cm, acrylic on canvas. This is actually a re-visit / touchup of the initial version completed a couple of years ago. I have been meaning to fix certain things such as toning back the light rays, changing the colour of the character and adjusting the shadows, and today I finally did.

Previous Older Entries

Follow

Get every new post delivered to your Inbox.

Join 91 other followers

%d bloggers like this: