King of the Golden Mountain

In progress

This guy is ‘King’. This is a painting I have been working on for a couple of months (on and off). Now it is in the final stages where I am fixing details, adjusting contrast, and basically making it look believable.

Because they can

Reality

Photograph of the view from my window here in Abu Dhabi.

 

Oil on canvas

‘Because they can’, oil on canvas, 76cm x 51cm, 2013.

 

 

 

Because they can

In progress

This work in progress is a comment on humanity’s need to build, construct and demolish, as seen through the eyes of 3 toys looking through a window. Lamb asks Ulysses the bear “Why are they always building? Where have all the trees gone?” to which Uly replies “They build because they can”. Titled ’Because they can’, oil on canvas, 76cm x 51cm (in progress).

Seven Ravens

Digital illustration
My question to myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece? Having finished this piece, I still don’t know the answer, however I do think it is a lot more difficult to generate that organic ‘arty’ feeling through the digital medium. On the other hand, other things are easier, such as changing and moving elements, adjusting colours etc.

I am really liking using photographs of fabric in the clothes at the same time as detailed vector elements and art textures. I think this combination is something I will be using more in the future.

Inspired by ‘The Seven Ravens’ by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

I Told You This Day Would Come (revisited)

I Told You...
This is a digital update of my oil painting titled ‘I Told You This Day Would Come’, on a wooden window shutter, shown in this previous post.  I am slowly opening my mind up to the concept that artwork doesn’t have to be purist in order to have integrity: it isn’t ‘selling out’ to let a piece live a new life using Photoshop. For me it is enough that a work is created using traditional techniques, and if the digital medium can add depth or atmosphere when  traditional skills couldn’t (for what ever reason), then why not utilize it?

Vector illustration

Stake My Rep
I created this using Adobe Illustrator for the face and hands, and Photoshop for the rest. I think it is important to retain a sense of authenticity / organic-ness in digital illustration in order to encourage some sort of emotional connection. Sometimes digital stuff can look cold. This is why I use a lot fabric photography (the shirt and hat) and traditional textures (ink splatters in the background).

Vector illustration

In progressGetting there….

Vector illustration

In ProgressThis is a vector illustration I am part way through, for an online challenge game about to launch. Though it is done digitally, it should be known, this is no quick trick!

King of the Golden Mountain

In ProgressThis is a detail from ‘King of the Golden Mountain’, oil on canvas (in progress). I am quite enjoying being more gestural in my paint handling technique so far. Click here to view my initial digital mockup of the composition.

The process of creation

A friend suggested I might like to share the process of creating a piece of art in gallery format, so everyone can appreciate all the work that goes into the research and composition stages, as well as the final stage of painting. This gallery shows the work-in-progress shots of ‘I Told You This Day Would Come’, oil on wood panel, 2012.

Seven Ravens

uncropped
This is a little challenge I set myself: Can illustration and art co-exist together in the same piece? And can a digital work be as emotive and soulful as a traditional piece?

Inspired by The Seven Ravens by the Brothers Grimm.

Photoshop, Illustrator and traditional techniques.

King of the Golden Mountain

Pencil StudyThis is my King-to-be. A pencil drawing in progress for my next painting inspired by the Brothers Grimm’s The King of the Golden Mountain.

Click here to view my initial digital mockup of the composition.

Digital mockup for ‘King of the Golden Mountain’

King of the Golden Mountain
I have just commenced studying a Masters course of Visual Art (scary!). My area of interest will be a modern visual interpretation of fairytales by the Brothers Grimm. I am also interested in incorporating typography within the painting as I want to explore  the boundaries of art/illustration/graphic design.

This is a mockup created in Photoshop using my own photos, a photo from the net of a snake and net sourced images of paintings by Rembrandt and Caravaggio. It represents the story ‘The King of the Golden Mountain’ as told by the Brothers Grimm.

The final painting will be oil on canvas, and will be quite ambitious. Naturally I will completely change the faces – this is a starting point in terms of the colours and composition. Fingers crossed it works out.

If Only for a Moment

Uncropped‘If Only for a Moment’, 46cm x 32cm, acrylic on camphor, 2012.

Her Metamorphosis (Retrograde)

In ProgressSo far so good…
Work in progress, oil on canvas, 80 cm x 80cm

In progress

Looking into the light
Another drawing for the new painting…

In progress

girl at pond
This little lass will be in a painting I will start work on in the next few days.

Woman in Black

Oil PaintingRecently, a publisher said he thought my work was ‘obviously geared towards the children’s book market’ which I thought was interesting as I don’t see it like that at all. So, partially as a reaction to that comment and partially to challenge myself to complete something within a few hours (instead of weeks) and in oil (instead of acrylic), I painted this today. My inspiration is the book and movie ‘Woman in Black’ by Susan Hill.

In Progress

If Only for a MomentA little bit of additional colour, worked in from the top down, seems to have brought it to life and heightened the sense of depth. 

In Progress

Isn’t she sweet?

In Progress

Work on the background has started. It is tricky to find the balance between incorporating the wood-grain, painting an interesting scene which sets the context of the story and over-powering the foreground.

In Progress

I think the figures are finished, now what to do with the background?

 

In Progress

So far so good. I am hoping the sketchy figure on the right is obvious enough as he is without me doing more than just emphasising the wood..?

Cold in the Shadows

Cold in the Shadows, 31cm x 22cm, acrylic on canvas. This is actually a re-visit / touchup of the initial version completed a couple of years ago. I have been meaning to fix certain things such as toning back the light rays, changing the colour of the character and adjusting the shadows, and today I finally did.

The Bright Ones

After having finished the painting, I am back illustrating my children’s book ‘The Bright Ones’. Here is the latest double page spread.

Once, there was the sound of leaves…

Finished. 60cm x 60cm, acrylic on canvas, 2012.

Horse painting in progress

Having finally finished painting the trees (which took a few days), I added some contrast to the foreground grass as well as around the base of the trees in order to anchor them to the ground, and here you see me painting the base colour for the moon. A constellation of stars to follow soon.

Horse painting in progress

The two lead characters in the narrative, the trees behind them are yet to be worked on. Acrylic on canvas 60cm x 60cm

The Bright Ones

My latest illustration for ‘The Bright Ones’.

The Bright Ones

Page 2 – 4 illustration for my new children’s story.

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